Movies of 2010 showcase growth in special effects, stunted storytelling

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Now a decade removed from the start of the new millennium, filmmaking has improved greatly in some ways while floundering in others.

One thing is for sure — the theatre experience has become truly immersive, and despite a streak of recent disappointments, it is secure as America’s favorite pastime.

An increased use of computer-generated images through motion capture technology and photo-realism paired with a renewed interest in 3D effects have played a large role in the success of

films released in 2010.

But despite the nifty visuals, not much has stuck, and critics and moviegoers alike are feeling the sting.

It was named “worst movie year ever” by New York Times columnist Joe Queenan, and this year’s lineup was jammed full of old storylines and new graphics in sequels galore, spanning from the well-done “Toy Story 3” to the completely unnecessary “Shrek Forever After.”

Remakes also made an impression with Tim Burton’s take on “Alice in Wonderland” and yet another “Karate Kid” flick.

Who knew the recycling incentives applied to movies, too?

Of course, a few novelties such as “Inception,” “The Social Network” and “Despicable Me” showed through in the midst of such bunk, but the rest just showcased an American capitalist win over cinema.

As an enthusiast, disappointment doesn’t begin to describe the feeling.

In addition to titles, casting also played it safe this year, with leading roles being filled by big names, not leaving much room for fresh talent.

Both Martin Scorsese and Christopher Nolan chose Leonardo DiCaprio to take on their ambitious projects, while Tim Burton stuck with Johnny Depp by his side to carry “Alice.”

A few new faces did leave an impression though, such as Jesse Eisenberg as Facebook’s founder Mark Zuckerberg in “The Social Network,” Carrie Mulligan in “An Education,” and the hilarious Zack Galifianakis in last year’s “The Hangover,” who co-stars with Robert Downey jr. in “Due Date,” which premiered last week.

Whether it is poor timing for franchised films, a period of transition after past years’ gems like “The Dark Knight” and “Avatar,” or simply the recession reaching the ticket offices, 2010 hasn’t been as many expected thus far.

The much anticipated “Harry Potter 7” along with the Coen brothers’ piece “True Grit” still have time to dazzle us, hopefully leaving a good taste in our mouths as we head into ’11, but for for future endeavors one message has been made clear:

We are bored.